Why did the chicken cross the road?

Today chicken is not seen as an animal, but as an economical food product. What lies behind, and ahead, of such a cheap meal?

I elaborated a palette of colours made out of chicken’s scraps: Black Burned Bones, Rooster Sienna Blood, Eggshell Complexion, Livorno White. Mixing these pigments with the egg yolk I realized an Organic Chicken Tempera. Chicken shops in London are open almost all night long. It is quite common for these places to be crowded with non-lucid people. In that kind of situation arguments and bad manners are often the rule, and it’s easy to witness brawls. In my view there is a very strong connection between the violence into chicken shops and mistreatment, abuses and suffering that chickens experience into farm-factories to become a cheap food product. The combination between the low price of chicken’s meat and our society need to consume a gargantuan amount of meat leads to unexpected and terrible problems: 

“Chicken shop ‘drug gangs recruiting children with promise of free food, parliamentary investigation finds’’.
Sky News UK online; 12 August 2019 

“[...] The Home Office has been criticized by opposition MPs over a scheme to send hundreds of thousands of chicken boxes branded with #knifefree to chicken shops in an effort to dissuade young people from carrying the weapons [...] Boris Johnson has already called black people ‘piccaninnies with water melon smiles’. Now his government is pushing the stereotype that black people love fried chicken[...]’’ 
The Guardian online; August 14th 2019 

The Cock-Pit aims to create a physical connection between farm factory crimes, violence in chicken shops and advertisements by painting images of brawls, fights and commercials using blood and bones of animals forced to be upstream these social problems.
This project is a reflection on the Consumer Society and the problems we are facing nowadays: economic problems, racism, explanation of planet resources, recycling, and a reflection on our History. 

Chicken’s feet skin, tanned whit black tea, becomes similar to piton skin, or to a tiny crocodile skin. 

To inspire the shape that I would like to give to my project, it was a KFC advertisement that recites: ‘’...Welcome to Chicken Town [...] Welcome to the Wild West...’’
Harland Sanders, Colonel of the KFC did not invent fried chicken, but certainly the myth of fried chicken started in US, in African-American slaves’ culture, who cooked it on rare holidays. 

Since very ancient times, the boot has represented a social Western status. Lords wore boots. The same Gentlemen who could afford a horse, with whom they would most likely have gone to war to gain more fame, fortune, raw materials, slaves.
The Cow-Boy Boot is marked by a strong symbolism, surely not detached from the idea of adventure, violence, conquest and racism. 

My project aims to combine a ‘’not beloved food product’’ and the Cow-Boy Boot shape, to create a conceptual and physical relation between different daily problems of the society where we live: economic problems, racism, explanation of planet resources, recycling, and a reflection on our History. 

‘’Why did the chicken cross the road?’’ is an English word pun that ends with: ‘’To get to the other side’’ but does not rule out any other type of answer. Beside the connection between walking and boots, I find very interesting the underlying question: ‘’why did this happened?’’. Reflecting on the underlying causes of the problems is always the first step towards solving them.